Visual Identity

Discover 46 award-winning designs tagged Visual Identity on Design Manner.

Designer: Daichi Takizawa Design: Visual Identity Tag: Graphic

Honki Factory

The concept is Opening the Path, The Honki Way. It defines Honki as Seriousness, as having a clear goal and taking concrete steps toward it. Those who master the structured approach to business development can use it to create new paths. The desire to foster many Honki individuals is represented in the H shaped frame, symbolizing structure, and the logotype, inspired by a factory, representing production. The variable design of the symbol and font reflects adaptability across all industries and fields.

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Designer: Qian Wenwen Design: Visual Identity Tag: Graphic

Henry Moore Exhibition

The visual design for the Henry Moore exhibition showcases a comprehensive approach, featuring traditional materials such as posters and tickets. Additionally, a unique collection of cultural and creative products has been designed exclusively for the exhibition. This collection includes children's pencils and drawing books inspired by Henry Moore's iconic sculptures. By transforming his sculptural works into engaging drawing books, the designs aim to spark creativity and imagination in children, making art more accessible and interactive for younger audiences.

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Designer: Yutong Wang Design: Visual Identity Tag: Graphic

HarvardXR 2024

Extended Intelligence uses generative design to create a dynamic visual identity reflecting AI and XR. With procedural generation in C4D, randomized pixel matrices integrate AI and XR, reinforcing the conference's themes. This scalable system adapts across digital screens, signage, and print materials. A structured color palette differentiates participant identities, ensuring clarity. By leveraging generative techniques, the identity embodies innovation and future focused design.

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Designer: Feng Yuxin Design: Visual Identity Tag: Graphic

Intelligent Creativity Forum

Intelligent Creativity Forum is a visual identity created for a school of art and design. The identity is built from the letters D and I, which are deconstructed and recombined into a dynamic geometric form. The modules are staggered along a 45 degree axis, following architectural isometric logic. The layering creates a three dimensional interplay of solid and void. The asymmetrical structure refers to the fusion of digital intelligence and creative thinking. A modular grid keeps the system coherent, and the vector artwork is applied to passes, badges, silk scarves and notebooks.

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Designer: Deng Rui Design: Visual Identity Tag: Graphic

Jiangnan Collection

Jiangnan Collection is a visual identity inspired by the water towns of southern China. The design reinterprets traditional architecture, rivers and everyday scenes through geometric composition and a modern color system. Cultural imagery is transformed into a scalable graphic system that adapts to lifestyle products such as silk scarves, paper cups, bookmarks and fridge magnets. The artwork was created with a digital illustration workflow and prepared in CMYK for accurate printing. The intent is to make regional heritage part of modern daily life.

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Designer: Lance Francisco Design: Visual Identity Tag: Graphic

Base

Base is a visual identity for a brand of Chinese religious goods. The logo places the letter b within a woven structure inspired by Chinese knotting, an ancient folk art associated with unity and good fortune. Repeating woven patterns reflect the cyclical nature of belief. A palette of black, red and gold is calibrated for both print and digital use. The system includes a scalable logo, brand typography, custom patterns, packaging and website design. The aim is to keep tradition relevant for a new generation.

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Designer: Pedro Panetto Design: Visual Identity Tag: Graphic

Espada Selvagem

Espada Selvagem is a visual identity for a medieval fencing club in Brazil. The design is inspired by the beasts of ancient heraldry, reinterpreted in a modern way. A jaguar was chosen because the animal is native to Brazil and suggests speed, energy and competitiveness. The spots of the jaguar are formed by circles that also create a sense of movement. The drawing follows the proportion of the golden ratio. The symbol is built in vector format, so the identity can be applied to uniforms, patches, books, medals, flags and social media in many sizes.

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Designer: Lin Hai Design: Visual Identity Tag: Graphic

Snow Peak

Recognition is an important evaluation index in logo design. How to use a simple design language to integrate the hotel with the complex and changeable landmark Potala Palace is one of the difficulties in the whole design. The Potala Palace is a holy building in the eyes of Tibetans. Therefore, the design team refined the most representative element pillars as design elements, and created the image of the three-dimensional Potala Palace through two-dimensional techniques, so that the annotation conveyed a strong regional style.

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Designer: KEISUKE AKARI Design: Visual Identity Tag: Graphic

Unajiro

Unajiro is a visual identity created for an eel restaurant brand. The identity includes a logo and a complete set of applied items, such as decorations, lanterns, chopstick bags and aprons. The logo combines the katakana and hiragana forms of the letter U, the word umai, which means delicious, and the first sound of the Japanese word for eel. The design follows a traditional Japanese craftsman style and expresses the concept of a delicious rice bowl. A recycling mark was added to the chopstick bag. The words for prosperous business on the front cover carry a wish for good trade.

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Designer: Made Milicevic, Mag. Art. Design: Visual Identity Tag: Graphic

Resonare

Resonare is a visual identity for luthier Zeljko Catic in Dubrovnik. The monogram features a rhythmic visual rhyme between Z and C, where strokes merge with the violin bridge's natural geometry. By integrating Croatian diacritics into the instrument's anatomy, the design becomes an inseparable part of its form. This intimate signature lives within the heart of the instrument, revealing itself only as a discreet trace through the elegant f-holes.

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Designer: Matteo Ruisi Design: Visual Identity Tag: Graphic

Bank of England

Designing for a central bank means finding a balance between technical and sensitive information, staff-led outputs, engaging general communications, and a series of regulations. This is not simple to achieve and it is based on delicate internal dynamics. The new identity has been developed together with the people who will use it, balancing all the aspects of the communications. It focuses on reaching a wider public with an accessible, relevant, structured, and distinctive approach. These key principles have been used as a design direction for all the visual assets.

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Designer: Victor Weiss Design: Visual Identity Tag: Graphic

Victor Weiss

Victor Weiss is a visual identity created for a design studio. The logo is a monogram that combines the letters V and W in an outlined serif style. The brand pattern was formed by taking the letters of the slogan Be Exclusive and spreading them in an organic, almost random order, mixing outlined and filled letters. Printed items include business cards and postal pieces on black paper, produced by letterpress with hot stamping and closed with a wax seal. The identity was developed to express sophistication and exclusivity.

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