Graphic

Discover 745 award-winning designs tagged Graphic on Design Manner.

Designer: Shenzhen Lightcone Design Co., Ltd. Design: Visual Design Tag: Graphic

The Fulcrum

The Fulcrum is a visual identity system created for a design company. The system is inspired by the light cone, a spacetime model in physics, and by the gyroscope. The gyroscope symbolizes inner steadiness, while the light cone suggests broad creative possibilities. A color scheme of black, white, and red is used, where black stands for logical thinking, white for pure design, and red for passion. An accompanying poster series is produced with a three-dimensional spray painting process to create layered graphics. Each poster measures 1000 mm in width and 1800 mm in height.

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Designer: Mtc Brand Consultancy Design: Brand Identity Tag: Graphic

Dragonpass

Dragonpass is a brand identity designed for a membership benefit and travel services provider. The new symbol combines the trace of a magic wand with the initial letter D, forming a dynamic mark that crosses several dimensions. The original red palette is extended with purple and further tones to give the identity a more fashionable character. Auxiliary graphics add flexibility across applications. The simplified visual system replaces an aging emblem and supports a more international brand image.

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Designer: Jessica Yang Design: Branding Tag: Graphic

Artsmuzeum

ArtsMuzeum is a brand identity created for an online gift shop that sells art related products. The identity links historical art with modern life. The logo pairs gothic yet bold letterforms with a squared frame that appears to continue without end. The name is shortened and arranged in creative blocks, and the letters are composed as a single graphic pattern built from positive and negative space. The concise and solid design is applied to the website, stationery and promotional materials.

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Designer: Wing Sze Wincy Kung Design: Architectural Narrative Illustration Tag: Graphic

Bamboo Craft Festival

In response to the sweeping urbanization of Hong Kong and the resulting loss of its cultural diversity, A Bamboo Craft Festival is designed with vast elevated temporary bamboo platforms and structures, creating an urban spatial celebration to preserve and revitalize the local street life cultures, traditions, and craftsmanships. The festival takes place annually and aims to engage the public to experience and explore local street cultures and craftsmanship through workshops and performances, embodying the spirit of Hong Kong.

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Designer: Xiaoshu Zhou Design: Illustration Tag: Graphic

Intangible Heritage

Intangible Heritage is a series of three illustrations about the intangible cultural heritage of China. The illustrations present Pipa art, Longquan celadon and the Zigong Lantern Festival. Each image is drawn with vector design software, so fine details remain sharp at large print sizes. The printed sheets measure 800 by 800 millimeters. Traditional subjects are translated into a modern visual language for use online, in print media, books and photo albums. The intent is to help the public learn about these traditions.

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Designer: Ruud Winder Design: Corporate Identity Tag: Graphic

Animated Koopmans Logo System

Koopmans asked Rebrandt to communicate the breadth of the range more clearly. The word "print shop" no longer represents what they do. This new ID is therefore not only an aesthetically appealing design language but also a strategic marketing instrument that communicates the wide range of products they can offer. Ruud Winder, head of design Rebrandt, wanted the dynamic working attitude of the organization to be reflected in the designs. The movement contrasts with the supposed stillness of a print company, precisely that breadth had to be emphasized.

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Designer: ChungSheng Chen Design: Branding and Character IP Project Tag: Graphic

PatchU

PatchU is a branding and character design project that turns leftover bedding fabrics into plush toys and lifestyle accessories. The fabrics are sorted by size, texture and tone, then sewn into simple companion figures using flexible patterns. Visible stitching and patchwork are kept as part of the brand identity, so each piece differs slightly from the next. Packaging and illustration explain the origin of the materials. The aim is to give surplus textiles new value and a warm place in everyday life.

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Designer: TANG-HSUAN LIEN Design: Visual Image Design Exhibition Tag: Graphic

Virtual and Reality

Virtual and Reality is a visual image design exhibition that interprets the process of design creation. The title joins two opposite words to reflect the conflict between abstraction and reality. Font strokes are dismantled, and the tools used in design form the structure of the letters. The series includes posters, cards, notebooks, stationery, direct mail and packaging. All items are printed in two special colors, and the applied methods include embossing, local glazing and origami folding. The exhibition was shown in Tainan, Taipei and Kaohsiung.

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Designer: Lia Jiyun Kim Design: Corporate Identity Tag: Graphic

We Belong Here

We Belong Here is an interactive exhibition branding concept for Otis Design Week that encourages cross-cultural collaboration. Through customized tops, students can express their identities, foster communication, and build a community that transcends language and cultural barriers. This tool promotes inclusivity and equality, making it a valuable addition to any educational program.

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Designer: Deborah Avila Design: Branding Tag: Graphic

Black Beans

When two award winning Marketing Agencies decided to merge into one, Black Beans was created to join forces in delivering the best digital marketing in Sao Paulo. The challenge was creating an identity matching a premium, elegant, modern logo that depicts its elevated position in the digital market. The logo approval came directly from the agency directors, putting the brand into use immediately.

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Designer: Kasun Wadumestri Design: Poster Tag: Graphic

Peace Hunter

This is a series of posters showing the importance of maintaining peace and doesn't point fingers at any race, religion, country, or person. It's a message that conveys the harm caused by a breach of peace and shows that the other side will take advantage of it. Some parties are scattered all over the world waiting to take advantage of a breakdown in the peace of anywhere in the world. Where he lives, is a country that gained release after 30 years of war. Ending a war is difficult, so he believes that it is so vital to identify the chances that war can happen and take measures to prevent it.

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Designer: Roozbeh Mashhadi Zadeh Design: Visual Identity Design Tag: Graphic

Altavita

The Altavita Visual Branding project employs an isometric geometric form inspired by architectural drawings to symbolize transition and invitation. The design reflects architectural depth while maintaining clarity and simplicity. A vertical composition emphasizes balance and proportion, while the red, black and gray palette communicates strength, precision and neutrality. The identity extends to stationery, packaging and digital media, ensuring consistency across applications and delivering a timeless professional presence with minimal expression.

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