Graphic

Discover 745 award-winning designs tagged Graphic on Design Manner.

Designer: Yuta Takahashi Design: Skincare Brand Tag: Graphic

To Beauty

To Beauty is a skincare brand identity and packaging design inspired by the cosmos and by meditative experience. The identity uses a gray color palette and an organic symbol that expresses the pulse of life. The facial cleanser has a specially structured screw nozzle that releases dense foam with a single push, which keeps its elasticity and reduces skin irritation from friction. The eyelash serum uses an airless container that is hygienic and free of preservatives. The caps join a hard exterior and a soft interior, with a grained surface and an engraved symbol.

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Designer: Gu Jin Design: Logo Design Tag: Graphic

Gensyn Intellectual Property

Gensyn Intellectual Property is a logo created for an intellectual property consulting company. The mark is abstractly developed from the letter G, the initial of the company name. The form is composed of a left and a right abstract single quotation mark, which refer to clear communication and consultation between the company and its clients. The overall shape also recalls a shield, indicating the protection of intellectual property. The outline follows that of a traditional Chinese seal. Blue is used to suggest steady development.

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Designer: tang kuaiyu Design: Logo Tag: Graphic

Tongming Vision Correction

Tongming Vision Correction is a logo created for a vision correction center for young people and children. The name Tongming means pupil and bright, so the pupil is used as the main design element. Three pupils with different degrees of clarity are arranged in a sequence that shows the correction process from blurred to clear. The logo is applied to business cards, notepads and posters. The business cards and the casual set are printed on special paper, while the posters use outdoor photographic materials.

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Designer: Dheeraj Bangur Design: Logo Tag: Graphic

Florasterisk

Florasterisk merges floral symbolism with the geometric clarity of an asterisk. The design forms a rotating eight petal composition with the letter F subtly integrated into the structure, creating a unified and memorable mark. Balanced symmetry and precise vector geometry enhance clarity and visual harmony across scales. Its minimal construction ensures adaptability for packaging, print, and digital applications, resulting in a distinctive identity that communicates elegance, precision, and strong visual recognition.

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Designer: Sinong Ding Design: Visual Poster Design Tag: Graphic

Recombination

Recombination is a series of posters about extinct animals. Each poster places a detailed illustration of an extinct animal at the visual centre, set against a softened map of the geographic location. Highly saturated colours unify the images and separate the animals from the background. Mechanical circuit patterns are merged with the animal forms to suggest a continuation of life. The posters also present the year of extinction and the main physical features. The intent is to inform viewers and to support the protection of living animals.

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Designer: Beijing Jiaotong University Design: Brand Design Tag: Graphic

Xiaoshanxiang Pig

Xiaoshanxiang Pig is a brand design created for the pork products of Xiaoyuan Village in China. The identity is based on simple countryside illustrations and on the local farming method, in which the pigs rest on straw beds. Light colors and playful drawings are used instead of the product photographs common in meat packaging. The set includes a packaging box, a waist cover made of 260 gram white cardboard with screen printing and silver stamping, a village map, coupons and posters. The aim is to raise the value of local agricultural products and to share the story of the village.

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Designer: Ta Wei Huang Design: Visual Design Tag: Graphic

Endless Cycle of Life

This design is inspired by the renowned location in Taiwan, the ChengLong Wetlands, situated in Kouhu Township, Yunlin. Utilizing the water's reflection as a foundation, the designer skillfully incorporates the destination's name, merging it with water ripples, waterfowl, and installation art. This design symbolizes the profound concept of the endless cycle of life, conveying the wetlands' revival and enduring sustainability.

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Designer: Yiwen Zhang Design: Brand Identity Tag: Graphic

Hand over Hand

Hand over Hand is a brand identity created for a provider of special education services. The identity keeps the hand drawn hand and book elements of the earlier logo to preserve continuity and personality. Analogue, a modern typeface with gentle curves and high contrast letterforms, supports a friendly and approachable tone. Circular and square geometric cuts create a balanced composition that reflects regional and demographic diversity. The system is applied to social media, web pages, eBooks, outdoor advertising, magazines, packaging and business cards.

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Designer: Zhou Haiwen, Che Shilong and Guo Cheng Design: Cultural Program Tag: Graphic

China in the Classics

China in the Classics is a promotional graphic design created for a television program about ancient Chinese classics. Books form the main subject of the design. Ancient books of the East and the West are referenced, including Chinese bamboo slips, thread-bound books, parchment scrolls and hardcover books. These forms are deconstructed and reorganized into simple visual symbols. The titles of ten classics are combined with Chinese calligraphy. The gift box uses special tactile paper. The design helps people of different cultural backgrounds understand Chinese books and stories.

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Designer: TANG-HSUAN LIEN Design: Visual Image Design Exhibition Tag: Graphic

End-Point Start-Point

End Point Start Point is a graphic design exhibition. The exhibition explores the sense of emptiness that can follow the completion of a design project. Design is presented as a cyclical process, in which each end point becomes a new starting point for reflection and further work. The visual system is applied to posters, direct mail, cards, a notebook, stationery and packaging. All applications are produced with two special color printing. The exhibition was shown in Tainan, Taipei and Kaohsiung.

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Designer: Chihiro Otsuki Design: Poster Tag: Graphic

Darkness and Light

Darkness and Light is a poster created for an exhibition on Japanese classical literature. The poster combines lacquer art and oil painting, nature and humanity, classic and modern styles. Typography links the works of two artists with classical texts held by the research institute. The printed sheet measures 515 by 728 millimetres and is produced by UV offset printing with vegetable ink on paper certified by the Forest Stewardship Council. The design shows how classical culture and books shape artistic expression today.

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Designer: Favie Chiu Design: Design System Tag: Graphic

FNE Film Festival

Inspired by the profound narratives within Miranda July's films, the Forever Never and Ever Film Festival is a conceptual and unpublished festival presenting a curated collection of her work, encapsulating her distinctive cinematic perspective. Drawing from July's narrative richness, the design seamlessly integrates eccentricity and nuanced melancholy, complemented by vibrant colors. Reflecting July's thematic exploration of transformation, the festival celebrates the diverse tapestry of life experiences.

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